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Tiina Itkonen, On Sea Ice 2, Savissivik, 2016 -
Noé Sendas, PEEP 55, 2016
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Paolo Pellegrin, Refugees from the village of Buharbuq, near Bashiqa. Told by ISIS that they were to be moved to Mosul the following day, the village residents fled their homes in the middle of the night and took refuge behind Peshmerga lines. Iraq, 2016
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Tiina Itkonen, Sunset, Savissivik, 2016
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Albarrán Cabrera, The Mouth of Krishna #280, 2016
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Albarrán Cabrera, The Mouth of Krishna #444, 2016
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Albarrán Cabrera, The Mouth of Krishna #60440, 2016
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Albarrán Cabrera, The Mouth of Krishna, #177, 2016
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Noé Sendas, Carlotte Suite (I), 2015
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Albarrán Cabrera, The Mouth of Krishna, #278, 2015
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Noé Sendas, Wallpaper* Girl (Celine), 2015
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Noé Sendas, Wallpaper* Girl (Chanel), 2015
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Harley Weir, Wrestler in Pink Lake, 2015
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Harley Weir, Wrestler, Senegal, 2015
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Yusuke Yamatani, Rama Lama Ding Dong, #10, 2014
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Yusuke Yamatani, Rama Lama Ding Dong, #14, 2014
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Yusuke Yamatani, Rama Lama Ding Dong, #29, 2014
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Yusuke Yamatani, Rama Lama Ding Dong, #3, 2014
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Ori Gersht, Virtual E03, 2014
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Ishiuchi Miyako, ひろしま/hiroshima, #102, #104, #113, #114, #115 Donor: Hagimoto, T., 2014
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Chloe Sells, Amarillo, 2013
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Chloe Sells, Between Beasts, 2013, 2013
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Josef Hoflehner, Eat, Mojave Desert, California, 2013
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Josef Hoflehner, Shimabara Bay, Japan, 2013
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Albarrán Cabrera, The Mouth of Krishna #103, 2013
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Ishiuchi Miyako, Frida #55, 2012-2015
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Ishiuchi Miyako, Frida by Ishiuchi #86, 2012-2015
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Ishiuchi Miyako, Frida by Ishiuchi #36, 2012
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Chloe Sells, Olympia, 2012
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Ellen Von Unwerth, Room 152, 2012
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Noé Sendas, Crystal Girl, no.40, 2011
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Sarah Moon, L'inconnue, 2011
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Boris Savelev, Night Tree, Chernowitz, Ukraine, 2011
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Simon Norfolk, A dumping ground for an abandoned Russian-era bomber that has now been incorporated into the car park of ‘Shamshad TV’, a new media company supported heavily by American money. Kabul, 2010
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Michael Eastman, Archway, Rome, 2010
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Michael Eastman, Ballroom, Catania, 2010
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Michael Eastman, Blue Kitchen, Havana, 2010
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Michael Eastman, Hollywood Theatre, Havana, 2010
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Jeff Bark, Lucifer Falls Plates VII-VIII, 2010
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Michael Eastman, Palazzo #1, Venice, 2010
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Michael Eastman, Portici Doorway, 2010
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Michael Eastman, Red Curtain, Rome, 2010
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Michael Eastman, Yellow Car, Havana, 2010
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Hisaji Hara, A Study of 'The Happy Days', 2009
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Hisaji Hara, A Study of 'The Room', 2009
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Hisaji Hara, A Study of 'The Window', 2009
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Hisaji Hara, A Study of the ‘Portrait of Therese’, 2009
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Hisaji Hara, A Study of ‘The Passage du Commerce-Saint-Andre', 2009
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Hisaji Hara, A study of ‘The Victim’, 2009
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Lucas Foglia, Cora Going Fishing on the Tennessee River, Tennessee, 2009
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Kishin Shinoyama, Saori 1, 2009
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Kishin Shinoyama, Saori 4, 2009
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Yumiko Utsu, Candy Acrobat, 2008
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Yu Yamauchi, Dawn (Yoake) 03, 2008
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Yumiko Utsu, Snow on Romanesco, 2008
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Yumiko Utsu, Bathing Baby, 2007
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Sarah Moon, Monette pour Mme Figaro, 2007
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Sarah Moon, Pour Ten magazine, 2007
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Ishiuchi Miyako, ひろしま /hiroshima #71, 2007
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Simon Norfolk, *Not for Sale Untitled (Large Hadron Collider, no. 4), 2006
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Paolo Pellegrin, At a wedding, Jackmel, Haiti, 2006
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Paolo Pellegrin, Civilians sift through the rubble looking for survivors following an Israeli air raid. Beirut, Lebanon, 2006
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Yu Yamauchi, Dawn (Yoake) 24, 2006
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Simon Norfolk, “CEA, Circuit Board On The End Of Acrobat Arm”, The supercomputers: ‘I’m Sorry Dave, I’m Afraid I Can’t Do That,’ 2006, 2006
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Ellen Von Unwerth, Dita Von Teese, Paris, 2005
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Toshio Shibata, Nikko City, Tochigi, Prefecture, 2005
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Josef Hoflehner, Private Property, Snowscapes, Austria, 2005
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Ellen Von Unwerth, Shu Qi, Paris, 2005
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Yumiko Utsu, Tomato Collapse 1 (Quadriptic), 2005
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Yumiko Utsu, Tomato Collapse 2 (Quadriptic), 2005
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Yumiko Utsu, Tomato Collapse 3 (Quadriptic), 2005
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Yumiko Utsu, Tomato Collapse 4 (Quadriptic), 2005
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Ori Gersht, Elephant 2, 2004
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Sarah Moon, Oiseau des îles, 2003
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Toshio Shibata, Suwa City, Nagano Prefecture, 2003
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Simon Norfolk, “Mist Shrouded Trees”, Ascension Island: The Panopticon, 2003, 2003
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Tiina Itkonen, Agatannguaq, 2002
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Ishiuchi Miyako, Mother's #35, 2002
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Ishiuchi Miyako, Mother's #36, 2002
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Ishiuchi Miyako, Mother's #39, 2002
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