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Eikoh Hosoe, Ordeal by Roses #16, 1961
Eikoh Hosoe, Ordeal by Roses #16, 1961

Eikoh Hosoe

Ordeal by Roses #16, 1961
Silver gelatin print, printed later
Paper size: 50.5 x 60.5 cm
Image size: 39 x 55 cm
Initialled in ink recto
Signed, titled and dated in pencil verso
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Further images

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  • (View a larger image of thumbnail 2 ) Thumbnail of additional image

Provenance

Eikoh Hosoe Estate, Tokyo

Literature

Eikoh Hosoe is one of Japan's most iconic post-war photographers, recognized for his legendary collaborations and impeccable aesthetics.

Barakei, sometimes translated as ‘Ordeal by Roses’, is an extended photographic portrait created by Japanese photographer Eikoh Hosoe in collaboration with celebrated author Yukio Mishima. The series would prove a breakthrough in Hosoe’s career and as one of the final projects which Mishima undertook before his sensationalist suicide in 1970, it illustrates the writer’s final vision of how he wished to be understood. Hosoe’s impression of Mishima used the baroque aesthetics of the writer’s home and incorporated imagery from Botticelli and Dali to create a densely imaginative, subjective reflection of the author. The creative equilibrium established between these two artists is perhaps Barakei’s most radical and influential legacy to the photographic community.

Hosoe has received the Royal Photographic Society's 150th anniversary special medal, for a lifetime contribution to art. He has also been awarded The Medal with Purple Ribbon (1998), The Order of the Rising Sun (2007), the Mainichi Art Award (2008), and he was designated as a Person of Cultural Merit by the Ministry of Education (2010). He has been the subject of numerous solo and group exhibitions in Japan and abroad, and his photography is held in the permanent collections of many public institutions including The Metropolitan Museum of Art, New York, The British Museum, London, The J. Paul Getty Museum, Los Angeles, and The Museum of Modern Art, San Francisco.

New Japanese Photography, eds. John Szarkowski and Shōji Yamagishi, (Museum of Modern Art, New York, 1974) p. 81


Japan: A Self-Portrait – Photographs 1945 – 1964 eds. Takeuchi Keiichi and Hiraki Osam, (Flammarion, 2004) p. 204

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